The first few days of the Telugu film industry were great. The movies that were made were either based on the great epics (vis-à-vis Ramayana, Mahabharata, etc), or on wonderful Telugu plays. They were truly artistic films and people enjoyed watching them. Those were the days of great thespians who were highly skilled in the art of dialogue delivery. They could fit into any character, any role seemingly effortlessly. The only thing is since they were theatre artists before joining the film industry, their actions were a little over-emphasized. The entire country has come out of that mould. I do not think anyone is making “pauranic” films anymore. But that doesn’t mean that the quality has stayed the same. In the transition from pauranic to modern, the movies that roll out of the film industry have lost all sense of originality, they have become completely banal.
One can easily surmise the story of almost all the new movies coming out: boy meets girl, they fall in love, calamity strikes either boy or girl or both, boy and girl overcome calamity individually or together, boy and girl are either shown getting married or engaged, boy and girl live happily ever after.
And invariably almost always the boy and girl are in college. Any deviation from this scenario is so subtle that it almost escapes ones attention. Even the name of the industry “Tollywood” stinks of banality. The Hindi film industry is called Bollywood (I am not a fan of this moniker either) in an imitation of “Hollywood”; the B being a reference to “Bombay” which is the old name of the city of Mumbai where the Hindi film industry is situated. And imitating that, the Telugu film Industry has been named Tollywood.
Despite its shortcomings, Bollywood has managed to produce impressive and path breaking movies such as Rang De Basanti, Taare Zameen Par, Lage Raho Munnabhai that are capable of touching an emotional/patriotic chord in the heart of the audiences. The Telugu film industry on the other hand seems content making superficial movies that leave the audience completely dissatisfied.
Frankly, it seems as if the imagination of the film artists of the Telugu world has gone dry.
One can easily surmise the story of almost all the new movies coming out: boy meets girl, they fall in love, calamity strikes either boy or girl or both, boy and girl overcome calamity individually or together, boy and girl are either shown getting married or engaged, boy and girl live happily ever after.
And invariably almost always the boy and girl are in college. Any deviation from this scenario is so subtle that it almost escapes ones attention. Even the name of the industry “Tollywood” stinks of banality. The Hindi film industry is called Bollywood (I am not a fan of this moniker either) in an imitation of “Hollywood”; the B being a reference to “Bombay” which is the old name of the city of Mumbai where the Hindi film industry is situated. And imitating that, the Telugu film Industry has been named Tollywood.
Despite its shortcomings, Bollywood has managed to produce impressive and path breaking movies such as Rang De Basanti, Taare Zameen Par, Lage Raho Munnabhai that are capable of touching an emotional/patriotic chord in the heart of the audiences. The Telugu film industry on the other hand seems content making superficial movies that leave the audience completely dissatisfied.
Frankly, it seems as if the imagination of the film artists of the Telugu world has gone dry.