Swastika

History of the Swastika
The swastika is an extremely powerful symbol. The Nazis used it to identify themselves as Aryans and to unite Bavaria, Prussia, and Austria under the German banner and instill a sense of national pride, but for centuries it had positive meanings. What is the history of the swastika? Does it now represent good or evil?

The Oldest Known Symbol

The swastika is an ancient symbol that has been used for over 3,000 years. (That even predates the ancient Egyptian symbol, the Ankh!) Artifacts such as pottery and coins from ancient Troy show that the swastika was a commonly used symbol as far back as 1000 BCE.

During the following thousand years, the image of the swastika was used by many cultures around the world, including in China, Japan, India, and southern Europe. By the Middle Ages, the swastika was a well known, if not commonly used, symbol but was called by many different names:

* China - wan
* England - fylfot
* Germany - Hakenkreuz
* Greece - tetraskelion and gammadion
* India - swastika

Though it is not known for exactly how long, Native Americans also have long used the symbol of the swastika.

The Original Meaning

The word "swastika" comes from the Sanskrit svastika - "su" meaning "good," "asti" meaning "to be," and "ka" as a suffix.

Until the Nazis used this symbol, the swastika was used by many cultures throughout the past 3,000 years to represent life, sun, power, strength, and good luck.Even in the early twentieth century, the swastika was still a symbol with positive connotations. For instance, the swastika was a common decoration that often adorned cigarette cases, postcards, coins, and buildings. During World War I, the swastika could even be found on the shoulder patches of the American 45th Division and on the Finnish air force until after World War II.

A Change in Meaning

In the 1800s, countries around Germany were growing much larger, forming empires; yet Germany was not a unified country until 1871. To counter the feeling of vulnerability and the stigma of youth, German nationalists in the mid-nineteenth century began to use the swastika, because it had ancient Aryan/Indian origins, to represent a long Germanic/Aryan history.

By the end of the nineteenth century, the swastika could be found on nationalist German volkisch periodicals and was the official emblem of the German Gymnasts' League.

In the beginning of the twentieth century, the swastika was a common symbol of German nationalism and could be found in a multitude of places such as the emblem for the Wandervogel, a German youth movement; on Joerg Lanz von Liebenfels' antisemitic periodical Ostara; on various Freikorps units; and as an emblem of the Thule Society.

The Origin of the Swastika

The ubiquity of the swastika symbol is easily explained by it being a very simple symbol that will arise independently in any basketweaving society. The swastika is a repeating design, created by the edges of the reeds in a square basket-weave. Other theories attempt to establish a connection via cultural diffusion or an explanation along the lines of Carl Jung's collective unconscious.

While the existence of the swastika symbol in the Americas may be explained by the basket-weave theory, its American presence weakens the cultural diffusion theory. While some have proposed that the swastika was secretly transferred to North America by an early seafaring civilization on Eurasia, a separate but parallel development is considered the most likely explanation.

Yet another explanation is suggested by Carl Sagan in his book Comet. Sagan reproduces an ancient Chinese manuscript that shows comet tail varieties: most are variations on simple comet tails, but the last shows the comet nucleus with four bent arms extending from it, recalling a swastika. Sagan suggests that in antiquity a comet could have approached so close to Earth that the jets of gas streaming from it, bent by the comet's rotation, became visible, leading to the adoption of the swastika as a symbol across the world.

Bob Kobres in Comets and the Bronze Age Collapse (1992) contends that the swastika-like comet on the Han Dynasty silk comet atlas was labeled a "long tailed pheasant star" due to its resemblance to a bird's foot., and further suggests that many swastika and swastika-like motifs may have been representations of bird tracks, including many of those found by Schliemann.

Barbara G. Walker, author of The Woman's Dictionary of Symbols and Sacred Objects, claims that the crux dissimulata, an early swastika, represented the four winds. Concerning the short-armed version of this symbol, known as the gammadion because it is made up of four Greek gammas, Walker says this symbol was an emblem of the ancient goddess and probably represented "the solstices and equinoxes, or the four directions, four elements, and four divine guardians of the world."